2/14/2023 0 Comments Stereo master faderHere’s an example of a mix that has compression and limiting applied to the master bus. It’s better to take advantage of top-of-the-line gear used by an engineer in an acoustically treated room, as opposed to trying to achieve loudness in the mixing stage. Other than balancing the Eq, there’s not much room for improvement if a mix is over-compressed and limited. In this case, the transients are completely chopped-off, and the mix will be difficult for your masteringengineer to work with. Once this mix is submitted for mastering, more compression is applied to create a competitive level, which further diminishes any variation in the levels of specific sections throughout the song.Ĭompression and Limiting applied to the master-bus will reduce the dynamic content even more so than only adding compression. This dynamic processing will’smash’ the dynamic content in your mix and can create a waveform similar to this:Īs you can see, this mix is at a uniform level which tends to reduce the emotional impact of certain parts being louder than others. It’s ok to add compression to the individual tracks in your mix, however, you should avoid adding compression to the master bus. By leaving this headroom you’ll also avoid distortion that can be caused from clipping. Notice the transients are still intact, and as much of the dynamic range is utilized as possible by allowing the loudest part of the song to peak at the maximum of -3dB. Here is an example of a mix that is ideal for mastering. Before you finalize your mix, keep in mind that it’s best to record and mix at low levels to avoid clipping and to help ensure you have a dynamic mix. This will allow you to take a look at your file to make sure you’ve created the proper file that is ready to submit for mastering. aiff file, you can create a new session in your DAW and import the stereo file. How to View Your WaveformĪfter you’ve exported your final mix as a stereo. Let’s take a look at the ideal waveform as well as some common mistakes that can easily be avoided in the submission process. This will allow your mastering engineer to better sculpt the dynamic content and give you the best sound possible for the final master. To get the best sounding master, it is important to submit a high resolution file as a low-level dynamic mix without any processing on the master bus.
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